Summary from Goodreads:
Two half sisters, Effia and Esi, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister, Esi, is imprisoned beneath her in the castle’s dungeons, sold with thousands of others into the Gold Coast’s booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia’s descendants through centuries of warfare in Ghana, as the Fante and Asante nations wrestle with the slave trade and British colonization. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation.
I am stunned that this is a debut novel. Amazed. Wowed. Flabbergasted. Yaa Gyasi’s Homegoing is one of the best debuts – actually, one of the best novels – that I have read all year and it is deserving of all the hype that it has been receiving. Wildly ambitious in premise and elegant in execution, Homegoing is my favourite kind of novel and reading it reminded me why I fell in love with books in the first place.
The novel is laid out as a collection of linked stories (think Elizabeth Strout’s Olive Kitteridge, or Jennifer Egan’s A Visit from the Goon Squad). Two sisters are born into different villages in eighteenth-century Ghana; the first is married off to an English slave trader, the second is forced into slavery. Each subsequent chapter is narrated from the perspective of a descendant of either sister, alternating through the generations all the way up to the present day. As the narrative unfolds, the characters’ lives also trace the evolution of the slave trade and its domino effect on future generations. This format allows Gyasi to construct a panoramic view of history by tackling multiple aspects of slavery, including Africa’s complicity within it.
At first, this constant shifting of perspective was a little jarring, but I soon grew to appreciate it. My only complaint is that I wanted to read even more about each of the individual characters. As for the prose itself, I found it to be dynamic, compelling and charged with a fierce emotional intensity. Despite the fact that Gyasi covers a period of 250 years in roughly 300 pages, I did not find the novel to be overstuffed, which is a pretty mean feat in my opinion. Like all novels about slavery, it is incredibly difficult and distressing to read at times, but there are moments of joy to be found as well. This is a book that demands to be read quickly, but remembered for a long time afterwards. Highly highly recommended.
Have you read Homegoing? What did you think of it? I would love to hear your thoughts.